Showing 4803 results

Archival description
1108 results with digital objects Show results with digital objects
Fonds · 1983
Fonds consists of written briefs and correspondence submitted by federal and provincial stakeholders and citizens, organized in numerical order by the Review Panel (1983); typed transcripts of 5 of the 11 public information sessions (May 9-14, 1983); typed transcripts of 4 of the 6 public hearings held in Sydney, New Glasgow, and Dartmouth (Sep 29-Oct 7, 1983); and terms of reference, list of information sessions, list of submissions, public notices with list of public hearings, and procedures document (1983).
W. G. MacLaughlan collection
Fonds · ca. 1914- ca. 1922
Collection consists of photographs, including panoramas, of Nova Scotia soldiers in World War I and scenes of the city of Halifax immediately after the Halifax Explosion on December 6, 1917. The images include wide angle views of the North End of the city, the shipyard or ‘graving yard’, and 5x7 images in 2 small albums of individual homes (some with people in doorways), stores, warehouse and a church. The photographs in the albums bear MacLaughlan’s name and a sequential number. Some also have the name of the property owner and street name written in pencil. The fonds also includes large group portraits, mostly of soldiers in the Canadian Expeditionary Force for World War I. Most soldiers are identified by name. 1983-284
Tom Connors collection
Fonds · [ca. 1830]-1947
Collection consists of photograph prints and also engravings and lithographs collected by Connors, predominantly relating to sports in Nova Scotia. Includes group portraits of school, university, city, and special teams as well as invidual portaits of athletes in sports such as baseball, basketball, bicycling, boxing, football, rugby, soccer, track and field, and tug-of-war; several images of rowing races and crews, oarsman George Brown of Purcells Cove, and engravings advertising races and regattas, 1830s. There are a small number of group portraits with Tom Connors and fellow oarsmen and a few of William P. Connors, Maritimes champion in shotput. Images also include Halifax, Dartmouth and Glace Bay fire and police departments; parades; St. Patricks High School and band; scenes of Halifax harbour, Northwest Arm, businesses, and street scenes; Nova Scotia fishing villages; and schooners and other vessels. The majority of photographs were taken by local professional photographers including Climo, Notman, Gauvin and Gentzel, A.R. Cogswell, Commercial Photo Service, J. Hayward, Allen Fraser, and others. Many photographs were annotated on their mounts by Connors. Also included is a scrapbook compiled by Connors concerning current events in the 1930s-40s, mostly World World Two and affairs in Canada, Europe, and Asia. MG 9 volume 19
Fonds · 1902-2002
The records in the fonds were created, received, or used by the Alexandra Society. These records were stored in various spaces across the King’s College campus and at society member’s homes before being donated to or acquired by the University of King’s College Archives. The oldest records (before the turn of the century) were found in storage in the Arts and Administration building by Assistant Librarian Patricia Chalmers and Dr. Henry Roper. Most other records slowly accumulated as the various Alexandra Society branches folded. The primary activities of the Alexandra Society were to raise money for scholarships (for women and Anglican students) and the general well-being of King’s College. The records cover the Alexandra Society’s finances, meeting minutes, and general comraderie. There are many photographs that document fundraising efforts. These records reflect the society’s Anglican origins. CaNSHK UKC.ALEX
Collection · 2003
Collection was created during 8 field trips and consists of black and white photographic negatives and contact sheets of 60 post-Deportation (after 1764) Acadian cemeteries, supplemented with colour prints of the oldest surviving cemetery at St. Pierre Catholic Church in Chéticamp on Cape Breton Island, Nova Scotia, and a typed inventory describing each negative. This is not a comprehensive collection of all Acadian grave markers. Rather, the photographs represent a sampling of grave stones and monuments dating from 1817 (earliest found) to 2002, selected by Dr. Ross for their physical characteristics, French language inscriptions and historical significance. Examples in wood, stone, concrete and metal are depicted, as well as representative family names and at least one World War I or World War II veterans’ grave marker from each parish community. The layout and geographical site of each cemetery is also captured. Dr. Ross organized the photographs by community and within each community, by church cemetery. She also created a written inventory describing each photograph including the French inscription with English translations, a provincial map showing cemetery locations and a final report to the funder outlining her cultural analysis. The photographs were taken by Deborah Trask. This Collection shows the influence of French culture, and in particular the longevity of the French language, in Nova Scotia’s Acadian-founded communities through an examination of cemeteries as cultural artifacts over time. 2013-032
Royal Engineers
Fonds · 1759-1913, predominant 1761-1884
Consists of records created by the Royal Engineers stationed at Halifax, documenting military construction operations. Includes maps and architectural plans including a few from the 1760s-1790s, as well as copied items dating from 1740s-50s, primarily illustrating military property and fortifications at Halifax and New Brunswick, and also permanent and temporary structures such as storehouses, bridges, martello towers, and the Melville Island prison. Also includes letterbooks, 1761-1858, which contain incoming and outgoing letters to and from engineer officers in Halifax and outposts as well as the inspector general of fortifications in Britain, some of which also include general orders, lists of building materials, specifications, and estimates; four letter books with accompanying reports, estimates, and sketches pertaining to the Halifax Citadel, 1825-1847; reports of defences, 1759, 1810-1817, 1834; and deeds and warrants relating to military lands, 1778-1858. Fonds also contains glass plate negatives taken by engineer officers, 1870-1884, depicting various military and naval buildings and property in and around Halifax, at sites including the dockyard, Citadel, Point Pleasant, Fort Massey cemetery, Fort Ogilvie, Fort Charlotte at Georges Island, Fort Clarence, Fort Sackville, York Redoubt, and Ives Point at McNabs Island. Also includes a few photographs of officers with horse-drawn sleighs and demolition of the ruins of the Halifax Poor Asylum fire. MG 12 RE numbers 0-59
Prat, Starr family
Fonds · 1760-1986, predominant 1831-[196-]
Consists of records relating to the Prat and Starr families of Annapolis County and Kings County. Contains family and business correspondence, accounts, deeds and other legal and court records, newspaper clippings, genealogical notes, scrapbooks, poems, pamphlets, photographs, sketchbooks, and watercolours. Photographs primarily depict family members, relatives, friends, and residences and also contains scenes of various Nova Scotia towns. Drawings and watercolours, most of which were painted by Annie L. Prat, depict Nova Scotia flora and fungi. Most of the Prat material was created by sisters Annie L. Prat, Minnie Prat, and May Prat Starr, while the Starr material represents five generations of family members. Other related families and individuals represented in the fonds include the Morse, Moore, Wilcox, and Boehner families, Bliss Carman, Charles G.D. Roberts, Charles Stayner, and Dorothy Cornell. MG 1 volumes 886A, 2625-2632
Ross family
Fonds · 1816-1920
Consists of correspondence, newspaper clippings, petitions, deeds, and minutes accumulated by Captain William Ross regarding the Ross family and the development of the Sherbrooke military settlement, later called New Ross, 1816-1822. Also contains correspondence and other material relating to property in New Ross and the 75th Battilion Infantry, 1846-1920, and correspondence and diary of Edward Ross relating to business and social activities in New Ross, Halifax, and Lunenburg County, 1835-1891. MG 1 volumes 794-795
W.R. MacAskill
Fonds · [ca. 1875], [ca. 1907]-[ca. 1949]
Consists of negatives, prints, and slides taken by W.R. MacAskill, primarily when he was a commercial photographer in Halifax. Includes images of coastal villages, fishing scenes, seascapes, towns and landscapes, the International Fishing Schooner Races, 1920-1937, the Bluenose under construction, naval vessels, freighters and other ships, and yachting. The geographic area represented in the photographs is almost exclusively Nova Scotia but also includes New Brunswick and Newfoundland. Many of the photographs appear in MacAskill's books Out of Halifax and Lure of the Sea and his studio catalogues, as well as in Andrew Merkel's book Schooner Bluenose. Also contains photographs produced at his studios at St. Peter's and Glace Bay, most of which are portraits; personal photographs of MacAskill, his wife, friends and acquaintances, his yacht Highlander, and his home "Brigadoon" in Ferguson Cove; and a small number of photographs taken by other professional photographers including Norman and Climo. Also includes film footage taken by MacAskill of the 1938 schooner race between Bluenose and Gertrude L. Thebaud, and a Nova Scotia tourism film. 1987-453
Nova Scotia Talent Trust
Fonds · 1959-1986
Consists of correspondence, financial statements, receipts, programmes, descriptions of concerts, newspaper clippings, biographical sketches of performing artists, and printed material relating to various Nova Scotia Talent Trust benefits, including the Nova Scotia Summer School Concert, 1959-1975. Also includes a list of award recipients, 1944-1978, and a list of talent trust concerts, art exhibitions, and benefit programs, 1956-1971. Also consists artists files related to funding applications to the Nova Scotia Talent Trust and associated materials. In submitting funding requests for educational programs or developmental opportunities artists created portfolios related to their artistic achievement that contained materials such as exhibition programs, concert programs, reviews, photographs or sound recordings of their work and other records to demonstrate their cultural achievement, as well as budget documents indicating the costs of programs and sources of other funding in addition to what was being sought from the Trust. Some files contain artistic or academic evaluations of the applicants. The files do indicate the level of support given by the Trust to individual applicants. MG 20 volume 636