Showing 23 results

Archival description
Notman Studio
Collection · [ca. 1869]-[ca.1920]
Consists of photographs taken by Notman Studio of Halifax, Nova Scotia and consists mainly of individual and group portraits of residents of, and visitors to, Halifax. Also includes naval ships and personnel, and buildings, streets and views of Halifax, as well as other Nova Scotian communities, including Antigonish, Canso, Dartmouth, Grand Pré, Musquodoboit Harbour, Sheet Harbour, Truro and Whitehead. Predominantly proof prints; also includes glass negatives, both wet- and dry-plate. Photographs organized by format, and within each format by original negative/proof print number. 1983-310
John W. Hugill
Collection · 17-19 October 1897
Consists of 31 photographs taken of Windsor, Nova Scotia by George Wright in the days following a fire that destroyed a portion of the town in the fall of 1897. The photographs were developed by Notman Studio and were included in an article titled "Photo Sets of the Windsor Fire" in the Halifax Morning Herald on 11 November 1897. 1992-375
G-7 Economic Summit
Collection · 1995
Consists of photographs taken by Canadian Forces Base (CFB) Halifax staff photographers M. Albert, R Dugay, W.O.B. Kyte, B. Lake and M. Ray and by J. M. Carisse of the Prime Minister’s Office (Ottawa), of a number of events associated with the G-7 Summit held in Halifax in June 1995. The photographs show the G-7 leaders following their arrival at Shearwater airport, their visit to Government House, the leaders at the conference table and a luncheon, and aerial views of the summit area on Lower Water Street, Halifax. 1996-178
Mirko Usmiani
Collection · 1963-1964
Consists of seventeen political cartoons on provincial, national and international subjects, created by well-known Nova Scotian cartoonist Bob Chambers and collected by Usmiani. 1997-020
Collection · 1808-[ca.1989]
Consists of receipts, invoices, account statements, and related shipping documents from various vessels that sailed from the Maritimes to various foreign ports. The contents include documents for the following vessels: Annapolis, J.W. Parker, L. Delap, Ostrich, Pandora, Avon, S.S. Lovat and Waterloo among others. Also includes captains' documentation (certificates, logbooks), a Sable Island logbook, images from the Halifax Port Authority, and some records of Pickford and Black and the White Ensign Association. 1997-174
Ritchie family
Collection · 1807-1986
Consists of original documents, photographs, printed materials, art works, and other items that were inherited and/or collected by Elizabeth Ritchie from other family members. It includes the war-time correspondence of Elizabeth's father, Roland Ritchie, 1938-1947; letters from J. W. Ritchie to John C. Halliburton, barrister, of Halifax, 1830-1832; and documents concerning Elizabeth Johnston Lichtenstein (1764-1848). The latter include a copy of the introduction to her memoirs, Recollections of a Georgia Loyalist (1836) by Hon. William J. Almon, her grandson, and original documents concerning Lichtenstein's husband's and father in-law's activities in Jamaica and Georgia. Collection also includes typescript copies of the writings of Susie (Susanna) Almon and Dr. James R. Robertson, and files on several related families such as the Wylde family (Elizabeth's mother's family); Harry King Stewart, of the Gordon Highlanders, who served in the Egyptian campaign; and Harry King (1807-1865), a prominent barrister of Windsor. Also includes information regarding the importance of the King-Stewart letters, which are held in the Library and Archives of Canada. The collection includes two large framed oil paintings, a portrait of Harrry King, believed to have been painted by William Valentine, and a portrait of James S. Stewart (1803-1860) by Albert Gallatin Hoit. FInally, the collection includes a Victorian-era "Scrap Album", created by Captain Arthur C.T. Boileau, Royal Artillery (Woolwich, England), containing various notes, cards, ephemera and memorabilia. 2004-032
David G. Jamieson
Collection · 1898-2007
Consists of textual records, cartographic records, photographs and sound recordings either collected or created and accumulated by Jamieson. The contents of the collection document the history of mining on the Eastern Shore of Nova Scotia in both Halifax and Guysborough Counties through correspondence, images, and first person interviews. 2008-030
Elizabeth Browne
Collection · 1959-1971
Consists of lists of passengers on ships that sailed from Halifax, Nova Scotia, for Europe with some related menus and a letter. 2008-042
George Burton Spencer
Collection · 1945-1946
Consists of twenty-five early cartoons created by Bob Chambers relating to sports, wartime, and political commentary and observation about Nova Scotia and Canada. The cartoons were given to George Spencer by Bob Chambers when they worked together at the Halifax Herald. 2010-029
Collection · 2003
Collection was created during 8 field trips and consists of black and white photographic negatives and contact sheets of 60 post-Deportation (after 1764) Acadian cemeteries, supplemented with colour prints of the oldest surviving cemetery at St. Pierre Catholic Church in Chéticamp on Cape Breton Island, Nova Scotia, and a typed inventory describing each negative. This is not a comprehensive collection of all Acadian grave markers. Rather, the photographs represent a sampling of grave stones and monuments dating from 1817 (earliest found) to 2002, selected by Dr. Ross for their physical characteristics, French language inscriptions and historical significance. Examples in wood, stone, concrete and metal are depicted, as well as representative family names and at least one World War I or World War II veterans’ grave marker from each parish community. The layout and geographical site of each cemetery is also captured. Dr. Ross organized the photographs by community and within each community, by church cemetery. She also created a written inventory describing each photograph including the French inscription with English translations, a provincial map showing cemetery locations and a final report to the funder outlining her cultural analysis. The photographs were taken by Deborah Trask. This Collection shows the influence of French culture, and in particular the longevity of the French language, in Nova Scotia’s Acadian-founded communities through an examination of cemeteries as cultural artifacts over time. 2013-032